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DICKENS, Charles.

Charles Dickens Autograph Letter Signed.

London: , 1859.

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Autograph Letter Signed by Charles Dickens Discussing A Tale of Two Cities
Autograph letter signed by great Victorian novelist Charles Dickens. One page, dated Sunday, Seventeenth July, 1859, on Gad's Hill Place stationery, with a small pressed flower on the lower left hand corner. Boldly signed by Dickens with his usual flourish. The letter discusses the printing of Tale of Two Cities in monthly parts in his magazine, All the Year Round. The letter reads in part, "It is very important to me to know that we do not print too many, and also what the monthly expenses are." Being founder and editor of the magazine, Dickens was no doubt was very keen that they should avoid a surplus and possible financial losses on that account. In near fine condition with light toning and glue residue to the verso. The letter measures 5 inches by 8.25 inches. From the collection of Edith Hyde Colby (1876-1962), prominent leader in the New Jersey suffragette movement and first woman elected to the New Jersey Republican State Committee.
Charles Dickens (1812–1870) is among the most celebrated and widely read novelists in the history of English literature, a writer whose extraordinary productivity, social conscience, and narrative genius combined to produce a body of work that both defined the Victorian era and transcended it. Born in Portsmouth into modest circumstances he rose through journalism and sketch writing to achieve with The Pickwick Papers (1836–37) an immediate and sensational popular success that established the serialized novel as the dominant literary form of the age. The novels that followed across the next three decades — among them Oliver Twist, Nicholas Nickleby, The Old Curiosity Shop, Martin Chuzzlewit, Dombey and Son, David Copperfield, Bleak House, Hard Times, Little Dorrit, A Tale of Two Cities, Great Expectations, and Our Mutual Friend — constitute a panoramic portrait of English society in the midst of industrialization, urbanization, and class upheaval, rendered with a combination of grotesque comedy, melodramatic pathos, and reformist moral urgency that made Dickens simultaneously the most popular writer of his time and a genuine force for social change. His campaigns against the Poor Laws, debtors' prisons, industrial exploitation of children, and the labyrinthine cruelties of the legal system reached millions of readers who might never have engaged with formal political argument, and the influence of his character-making — the gallery of Micawbers, Pecksniffs, Fagins, Miss Havishams, and Uriah Heeps that he unleashed upon the English imagination — on the subsequent course of English fiction can scarcely be overstated.
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