The Great Gatsby.

First edition, first state of Fitzgerald's masterpiece with "chatter" p.60, "northern" p.119, "sick in tired" p.205, and "Union Street station" p.211. Octavo, original dark green cloth with gilt titles to the spine. Association copy, inscribed by F. Scott Fitzgerald on the front free endpaper, "For John Barrymore We started so badly that it would be simply impossible for our relations not to improve. With hope & confidence F. Scott Fitzgerald. Los Angeles." John Barrymore (1882–1942), one of the most celebrated American actors of his generation, was renowned for his performances on both the stage and screen, particularly in Shakespearean roles like Hamlet and Richard III, which established his reputation as a leading interpreter of classical drama. Born into the prominent Barrymore theatrical family, he was part of a distinguished lineage of actors and helped extend its legacy through his commanding presence and expressive style. Although he began his career on the stage, Barrymore achieved widespread fame in both silent and early sound films, appearing in productions such as Dr. Jekyll and Mr. Hyde (1920) and Grand Hotel (1932). His performances were noted for their combination of technical precision and emotional intensity, as well as for a certain theatrical grandeur that reflected his stage training. A central figure in early twentieth-century theatrical culture, Barrymore also moved within the literary and social circles of the Jazz Age, where he developed connections with writers including F. Scott Fitzgerald, Dorothy Parker, Robert Benchley, and Edna Ferber. During the 1920s and 1930s, Barrymore and Fitzgerald became acquainted in Los Angeles, where an emerging social culture of studio parties, private salons, and expatriate gatherings brought together figures from Hollywood and the literary world. Barrymore’s wit, reputation for excess, and cultivated public persona made him a conspicuous presence in these circles, where conversation, performance, and social display were closely intertwined. In near fine condition. Housed in a custom full morocco pictorial clamshell box by The Harcourt Bindery with gilt titles and an onlay of the illustration from the original dust jacket to the front panel. An exceptional association copy.